REVIEW : Nuclear Daydream - The Guardian
By Dave Simpson
Fri 7 Sep 2007
Still, his languid, croaky whine is peculiarly well matched to songs that seem to document some sort of malaise, whether post-romantic collapse or, judging from the number of references to needles in the lyrics, something darker. It's difficult to decide whether Arthur is the sufferer or the narrator, but he gradually sculpts love, death and a bare minimum of chords into something affecting.
Don't Give Up on People could be a John Lennon recording from beyond the grave, while the strangely moving title track is like a dark negative of the Stones' Wild Horses, with romantic yearning swapped for relationship mourning.
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